instagram pinterest linkedin facebook twitter goodreads facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

QUINTESSENCE

Call and answer

Bernini, Rome

 

Hush, beloved. It doesn't matter to me
how many summers I live to return:
this one summer we have entered eternity.
I felt your two hands
bury me to release its splendor.


~ "The White Lillies," Louise Gluck

The aria and the catalyst.

I am deep in the quiet hours thinking back to an essay on passion posted here in 2010. My mind is looping down riverbanks of slow moving thought as it did then. I am thinking about connections, the bonds of romantic love. Eight years ago I wrote about the question of truthfulness between couples, saddened by the infidelity and subsequent breakup of the marriage of a friend of mine. At the heart of their parting lay a painful truth neither had wished exposed, and when brought to light fatally erased the foundation between them. He played roulette and lost. She wished she'd never known. What was their truth? Did it matter, or was its value entirely in what was lost?

The fundamental song in dramatic love is the aria. A longing opened wide across the octaves. And then from the wings, an echo. The entrance of a duet. A melody and a response. A call and an answer. A cry and a caress. Two voices that sing the heart's passion. In the twining melodies, in these whispered dreams, dwells a wordless language. What we ask for and what we are given. What we offer and what is taken.

The call and answer determine the fate of the lovers.

I am thinking now of the French film "Coco & Igor," the story of the complicated, secret, and oftentimes emotionally harsh relationship between Coco Chanel and Igor Stravinsky. Who called out first? Who answered? Much of their exchange remains wordless, physical. The interplay of their passion, and the way obsession fuels their individual art underscores the importance of the secretive nature of this exchange. Two muses. The lives of others. What was sacrificed to art. The affair itself not important, what mattered to Chanel and Stravinsky was its bonfire of inspiration.

There are so many arias, so many whispers we do not hear.

Romantic love is, finally, what is made of it. Are we lovers content in the small, sacred moments of living? Or lovers skating uneasily across life's dangerous territories? Love is perhaps only as permeable, as pure an elemental essence, as what we give of ourselves. How we value one another. Do we build or destroy? Some of us love in a kind of rhythm of labor, an endless garden we diligently and attentively hoe. Some cast nets to the sea, discover the catch gone and love onward in sorrow or separation. Others hold the hand of someone in comfort. Others fall into that certain slant of light that gilds the heart, left with an imprint that haunts forever.

Love unfurls. Place a rose on your kitchen table and watch the bloom drench the passing moments with its grace. Unlike Coco and Igor, or the dramatic opera, most of us love in quiet, ordinary ways. We experience love as an act from the soul as transformative for the lover as for the beloved.

Yet there is no denying that elemental spark. Love is catalyst. Once lit, what will you make of it?


Post a comment