An extraordinary poet passed today, Galway Kinnell. This Irish-American poet's work was awarded both a Pulitzer (for "Selected Poems," 1983) and an American Book Award. An ardent individualist, Kinnell stood apart from his peers and the literary influences of the Twentieth century; his a unique voice amidst the prevailing trends. As a poet and a citizen, Galway Kinnell immersed himself in the gritty issues of his day and was a passionate advocate for freedom of expression. A poet of almost photographic sensitivity, his poetry pulses with an exuberant love of language, a lyrical style distinctly his own and possessing a rare gorgeous musicality. Listen as you read -
RUINS UNDER THE STARS
by Galway Kinnell
All day under acrobat
Swallows I have sat, beside ruins
Of a plank house sunk to its windows
In burdock and raspberry canes,
The roof dropped, the foundation broken in,
Nothing left perfect but the axe-marks on the beams.
A paper in a cupboard talks about “Mugwumps”,
In a V-letter a farmboy in the Marines has “tasted battle…”
The apples are pure acid on the tangle of boughs
The pasture has gone to popple and bush.
Here on this perch of ruins
I listen for the crunch of the porcupines.
Overhead the skull-hill rises
Crossed on top by the stunted apple.
Infinitely beyond it, older than love or guilt,
Lie the stars ready to jump and sprinkle out of space.
Every night under the millions of stars
An owl dies or a snake sloughs its skin,
But what if a man feels the dark
Homesickness for the inconceivable realm?
Sometimes I see them,
The south-going Canada geese,
At evening, coming down
In pink light, over the pond, in great,
Loose, always dissolving V’s-
I go out into the field,
Amazed and moved, and listen
To the cold, lonely yelping
Of those tranced bodies in the sky,
Until I feel on the point
Of breaking to a sacred, bloodier speech.
This morning I watched
Milton Norway’s sky blue Ford
Dragging its ass down the dirt road
On the other side of the valley.
Later, off in the woods, I heard
A chainsaw agonizing across the top of some stump
A while ago the tracks of a little, snowy,
SAC bomber went crawling across heaven.
What of that little hairstreak
That was flopping and batting about
Deep in the goldenrod,
Did she not know, either, where she was going?
Just now I had a funny sensation
As if some angel, or winged star,
Had been perched nearby watching, maybe speaking,
I whirled, and in the chokecherry bush
There was a twig just ceasing to tremble.
Now the bats come spelling the swallows,
In the smoking heap of old antiques
The porcupine-crackle starts up again,
The bone-saw, the pure music of our sphere,
And up there the old stars rustling and whispering.
Did you hear those leaping phrases and alliteration? Sink into the imagery of "great/Loose, always dissolving V’s"? The thread that connects is the slender steel power of Kinnell 's mastery over the expressive word. The imperceptible balance of image with emotion. Never too much, always exactly enough. Poet, translator, essayist, teacher. Galway Kinnell wrote about life, and death, and the fragility of beauty. His obituary in the New York Times (October 29, 2014) concluded, "Through it all, he held that it was the job of poets to bear witness," ending on the words of the poet - ''To me,' he said, 'poetry is somebody standing up, so to speak, and saying with as little concealment as possible, what it is for him or her to be on earth at this moment.'"
I invite you to explore his work if you are not already familiar with Galway Kinnell.
To close, from “Trust the Hours” (Wait) -
Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?
Galway Kinnell was 87.